A painting is not a portrait, and you need an ideal stroke to achieve remarkable body proportions with no other measure than the visual! The sight works intensively and connects with the hand to represent what is desired. Exaggerating the forms could also have its charm.

Among the various essays there are dark and rustic faces made with acrylic accompanied only by a palette. Thick layers of paint and enigmatic textures and shapes emerge.

In pencil and charcoal I’m just drunk on the beautiful female forms.

I give the different animals their own postures and thus make each species unmistakable.